Again another article i found fascinating around the issue of earpiece‘s, what would you need to do if i didn’t post this ehh? youíd have to check out the original content, and the chances you found it would be slim, so think yourself blessed that i have shared this excellent article with you.
The respective collaboration between the fones.com and the Samsung galaxy S2 surely raises the expectation of some extremely delightful deals to be offered and endured by you. Fones.com always brings to you some of the most amazing deals for different kinds of the phone categories and the other related items. You can get some latest Samsung galaxy S2, galaxy S2 accessories and galaxy S2 cases at the fones.com site.
On having a word with the head of the fones.com, he had something really interesting to say ďwe at the fones.com are constantly engaged in the activities to please our customers by bringing some of the most amazing deals from the different corners of the industry. We have stepped ahead in our mission of serving our consumers at the best by offering them the Samsung galaxy S2, galaxy S2 accessories and galaxy S2 cases. Surely some of the greatest deals in the mobile phone availability can be found here!Ē
Samsung has launched its amazing sets of Samsung galaxy S2, galaxy S2 accessories and galaxy S2 cases with a wide variety. You can choose the product that you like the most which suits the best to your requirement. Accessing all these products is quite easy from fones.com site. Hurry now! Get your latest collection of the Samsung galaxy S2, galaxy S2 accessories and galaxy S2 cases now through just a click!
This short article is posted with the strict consent of radio accessory.com, which is the original site. please get agreement from that website before reposting this piece.
Nobody wants to be carrying a huge baggage full of technology devices that perform a number of tasks. For high calibre individuals who travel from one place to another, and whose schedules are filled with meetings, conference calls, and a smattering other essential ‘”to do” items, making use of a singular piece of gadget that carries out excessively multiple features at once can be as essential as oxygen. Hence the popularity of smartphones and tablets and remarkably useful operating systems that quite literally drive physical offices into extinction. Needless to say, individuals will still need an office to go to, well, pick up wages and such. However, by using just one small device that could carry out an insane variety of functions every office, every high calibre individual in the earth can do any task whenever they want, from anywhere.
Plantronics headsets-all hail-offer those very possibilities. Recognized by tech critics and continuously trusted by a large number of consumers, rightfully so, Plantronics has evolved and designed some of this era’s finest and innovative communications headsets. (Besides, Neil Armstrong utilized a Plantronics headset as he spoke those now famous words – credentials do not get any better than that.) Every single product under the Plantronics’ seal of quality has considerably changed the approach people today communicate, and consequently, do their jobs.
If in the earlier times a front desk staff would need to manage signing for a packaged received, accommodating a senior executive’s 3 p.m., and generating a phone call regarding a workplace maintenance situation to the concerned department, at present, that same front desk staff would just need to hit a single button on her cordless headset to convey an issue with maintenance, have her hands free to sign for a package, and-thanks to Bluetooth technology-comfortably walk the senior executive’s 3 p.m. instantly to the conference room. By utilizing the Voyager Pro Plus Wireless Headset, every employee in every workplace setting do not need to be hooked to the desk to carry out a project.
The Voyager Pro Plus may appear small and simple but this phenomenal tiny headset carries out best quality functions. It includes around 6 hours of talk time; has (soothing) whispered voice alerts for when battery’s going to run out; totally tested for toughness – a remarkable requirement for individuals who use headsets for very long period of time; provide 3 layers of wind noise protection with double mic noise cancellation for the constantly mobile professionals who have no time to stop for anything – maybe limited to cocktails, and arguably the most spectacular feature of all, the Plantronics Vocalyst, which gives a computerized service for tuning in on weather and sports updates, newsfeeds, and more. For an additional fee, end users of the Vocalyst can step up to the Pro service, which-all hail-transcribes voice into text. From blogs to email, from expenditure reports to calendar appointments, the Plantronics Vocalyst could make doing work virtually stress- and hands-free.
Other Plantronics headsets to check out include the Savor M1100, the CS510 (for call centres especially), the CS540 Wireless, or the Savi 710 Wireless. Whatever Plantronics headset an office or an individual selects, each one permits a more manageable time with work.
$100-headphone review: What does a Benjamin get you?
My basic review of a new radio accessory it begins well, looks pretty cool, is simple to run and very energy efficient, the radio accessory is a fine item. Iím happy I purchased it, read further beneath.
Every type of electronic gadget has pricey, top-of-the-line models that provide phenomenal performance. But most of us have a gadget-shopping sweet spot: We look for the products that make us happy enough that spending more would be a waste.
Though many audio fans tout pricey audiophile headphones that cost hundreds of dollars (or more!), the sweet spot for full-size cans has, over the past decade, gotten less and less expensive. I tested five popular models that you can easily find for under $100, as well as one that competes with them for significantly less, to see what a reasonable budget gets you. All the models I tested use a full-size, closed design. Some are intended for home or studio use, while others include mobile-friendly features. (For more about the different types of headphones, consult our headphone buying guide.)
denon ah d510r over ear headphones
Denonís AH-D510R Over-Ear Headphones
Denon AH-D510R Over-Ear Headphones
In the middle of Denonís ďclassicĒ full-size headphone lineup sits the $109 AH-D510R Over-Ear Headphones. The earpieces are made of light metal, embossed with the Denon logo, and are suspended from gimbals that have L and R markings engraved in them. The earpieces rotate 90 degrees to lay flat, but the headband itself does not fold. Thereís plenty of plastic in the construction, and picking up the headphone doesnít impart a sense of quality.
The AH-D510Rís faux-leather earpads arenít especially soft and donít provide much noise isolation, but they fit nicely over the ears and remain comfortable thanks to the light weight of the headphone. The metal headband is covered in a brushed-metal-like plastic with thin, black padding around the top sectionóagain, because the headphone is light, this thin padding isnít uncomfortable, and I was able to wear the AH-D510R for extended periods.
A thin, non-coiled cable exits each earpiece, and a three-button, Apple-style inline remote/microphone module sits on the left cable. The remoteís buttons are small but easy to find and use by touch, and the inline mic produces better-than-average sound quality, though the output is a bit low.
I didnít find much to like here in terms of sound quality. The AH-D510Rís sound signature is skewed heavily toward bassóso much so that the mids and highs, which already sound muted and veiled, get buried. And even the bass has issues: There isnít much definition, and much of the emphasis is in the mid-bass regionóresponse tapers off at the lower frequencies. While I admit to being generally critical of the current trend of over-emphasized bass, the AH-D510R all but abandons the upper two thirds of the audible frequency range. Thereís also a significant lack of depth in the audio presentation.
Iím a pretty big Denon fan, and Iíve owned and loved some great Denon equipment, so itís difficult to express how disappointed I was by the AH-D510R. It offers sufficient comfort and a decent remote/microphone, but lackluster build, appearance, and sound quality.
house of marley rise up over ear headphones
House of Marleyís Rise Up Over Ear Headphones
House of Marley Rise Up Over Ear Headphones
House of Marley offers headphones and audio systems, but also bags and jewelry. The company emphasizes sustainability and earth-friendliness, noting the extensive use of recycled and recyclable materials in its products. The Rise Up Over Ear Headphones exemplifies this corporate philosophy, and despite a $150 MSRP, it regularly sells for $90 or less.
The sustainability message comes through loud and clear even before you open the box, as the packaging shouts its recycled/recyclable nature, looking and feeling like rough, crude cardboard. No extras are included except a unique, semi-rigid carrying case that resembles a small portfolio. The Rise Upís sturdy metal headband is sheathed in a minimally padded canvas cover, and the earpieces are hinged for folding. The Rise Up is available in several designs, including Blue Denim, Camo, Carmel, and Saddle; the Rasta model I tested sported earpieces with a green, yellow, and red canvas covering. The thin, fabric-covered cable on the Rasta version continues the tricolor scheme, but adds black to the striping, and is fairly resistant to tangling and kinking. An inline three-button remote/mic module sits on the cable.
The Rise Up headphone is about average in weight for a full-size headphone, and the earpads are firm with a soft-cloth covering thatís comfortable on the ears. The headband is a bit tight, even on my average-sized noggin; the resulting pressure on the ears might make extended listening sessions uncomfortable, though the tight fit does keep the headphone in placeóa plus for mobile use. Despite the tight fit, sound isolation is only average.
The inline remote is easy to use, with a full-length rocker switch for volume control and a small-but-easy-to-find play/pause/call button in the center. The microphoneís output level is about average, but the sound quality of the mic is excellent. My only complaint here is that a non-removable cable is an odd compromise on a portable headphone in this price range.
The companyís online PR material frequently references House of Marleyís signature sound, and a brief listen makes it clear that this audio signature prizes bass above all else. Even at louder volumes, the mids and high frequencies never really make it past the strong bass emphasis. However, that bass is solid and clear, and it extends to the limit of my testing (20 Hz). Soundstage has decent depth, though the highs are muted to the extent that the breadth of the soundstage is compromised. I know there are serious bass fans out there, and the Rise Up offers powerful lows that are much less boomy than you usually find with bass-heavy headphones, but as someone who prefers a more-balanced approach, I personally felt as if there were cotton stuffed in my ears when listening.
The Rise Up is a well-built, apparently environmentally conscious headphone. Itís not a headphone for audiophiles or those who prefer balanced sound, but for bass fan who also want to make a fashion statement, The Rise Up is worth a listen.
monoprice premium hi fi dj style over the ear pro headphone 8323
Monopriceís Premium Hi-Fi DJ Style Over-the-Ear Pro Headphone
Monoprice Premium Hi-Fi DJ Style Over-the-Ear Pro Headphone (8323)
When you hear the word ďMonoprice,Ē you probably think of cheap cables. Thatís likely to change soon, as the company has been steadily expanding into other electronics markets by using a unique business model: products that are good enough, at prices that are much lower than anyone else. The Premium Hi-Fi DJ Style Over-the-Ear Pro Headphone (8323), which sits at the top of Monopriceís full-size headphone lineup, is a prime example. Itís a solid headphone that listsóbe seated, put down sharp objects, turn off machinery, remove liquids from mouthófor roughly $24. (Monopriceís prices change frequently, so you may find that when you visit the product page, the price is $23.51, or $25.17, or $22.84.) More important, the sound and build quality is good enough to include in this group, despite the headphoneís low cost.
Of course, the packaging of the 8323, as Iíll call it from here on out, is minimal: a thin-cardboard box, with the headphones nestled in white, vacuum-formed plastic. (The upside is that thereís none of the dreaded hard-clear plastic to cut through.) Included are a 1/8-inch-to-1/4-inch plug adaptor and two non-coiled cables: a thin, three-foot one and a thick, ten-foot one. Neither includes an inline remote/mic module.
Except for the silver Monoprice logo on each earpiece, the MHP-839 is entirely black. The headband and earpieces are made of sturdy plastic, and the ends of the headband are double-hinged, allowing full articulation of the earpieces. The earpieces also swivel horizontally slightly, helping you get a flush fit. Overall, the build quality is solid, and the material appear to be of high quality. In fact, in both appearance and feel, the MHP-839 is quite similar to the Sennheiser HD 280 Pro, below.
The 8323 isnít light, but itís about average for headphones of this type, and itís pretty comfortable. The earpads are soft, with adequate padding covered in black faux leather. The padded headband provides a good range of adjustability, and its design is unlikely to snag loose hair.
The build of the 8323 is impressive given the price, but its audio value is even more striking: Put simply, no $25 full-size headphone should sound this good. You donít get audiophile-level sound quality, but itís far, far better than youíd expect at this price. The flaws? The soundstage is flat, and thereís a veiled, slightly cardboard coloration to the music. The low end is slightly boosted, giving the 8323 a ďwarmĒ character, though itís not enough to upset the overall balance. The mids and high frequencies are pushed a bit to the background, with a corresponding loss in detail. But Iím going out of my way to point out the 8323ís flaws. For under $25, it sound great, especially at the low end, as bass is full and solid, with all but the lowest octave reproduced faithfully. When fed really low signals (20Hz), the 8323 just steps out of the way and produces no audible distortion.
Not everyone needs (or wants) audiophile-caliber headphonesóin fact, most donít. Which means that for most listeners, the 8323 is unquestionably good enough. It doesnít sound as good as the best full-size headphones that squeak in under $100, but the 8323 embarrasses many costing much more. Itís also a great option for situations in which potential loss or damage makes using expensive headphones unwise.
sennheiser hd 280 pro
Sennheiserís HD 280 Pro
Sennheiser HD 280 Pro
Sennheiser has been making audio products since the smoke from World War II cleared, and itís established a widely respected name, especially among audiophiles. The companyís current lineup includes headphones that range from budget portables to models costing well above $1000. The HD 280 Pro sits at the lower end of that range, but itís no cheapie, and the Pro in its name isnít merely marketingóthis rugged headphone is equally suitable for home and studio use. It carries a list price of $100 to $150, depending on the current state of the ever-changing Sennheiser website, but itís regularly available for for less than $100.
The HD 280 is very sturdy, constructed mostly of a heavy plastic that offers a bit of a soft-touch finish. The design is utilitarian, with little concession to fashion. The earpieces are double-hinged to fold into the headband for portability. The headband is lightly padded and designed to make hair snags unlikely. The soft, well-cushioned earpads fully envelop the ears, and, with help from ample pressure from the headband, offer great sound isolation. (The strong squeeze might bother some, but it should loosen up a bit over time.) Despite the on-ear pressure, the HD 280 Pro is heavy enough to slide a bit if, for example, youíre lying on your backóor if your dancing gets too exuberant.
The only extra included in the package is a screw-on, 1/8-inch-to-1/4-inch plug adaptor. A long, coiled cable exits the bottom ofóand is permanently attached toóthe left earpiece. You get no inline remote/mic, befitting the intended home and studio use.
The HD 280 is a great-sounding headphone. Bass is solid, authoritative, and deep, with even extreme lows handled exceptionally well, and thereís no bass bleed into the lower midrange. The mids are full, smooth, and natural, with little colorationómale and female voices sound like male and female voices. And high frequencies are crisp, clear, and detailed. The HD 280ís studio aspirations are not at all unfounded, as this headphone lets you hear it all.
If I were pressed to criticize the HD 280 Pro, I would say that compared to the excellent bass and treble, the midrange frequencies can seem slightly recessed with some recordings, and thereís a slight V-pattern to the HD 280 Proís frequency responseóthe extreme highs and lows are slightly emphasized. With certain recordings, or music with emphasized low and high frequencies, listening through the HD 280 Pro might become fatiguing. Nevertheless, the HD 280 delivers all the sound, in precise detail, and its excellent isolation is useful not only in presenting solid bass but also in helping you appreciate a wide, spacious soundstage.
The HD 280 Pro is a great choice if you want to hear everything your recordings have to offer. It has the flat, accurate response and great detail needed by a pro in the studio, with just enough bass and treble emphasis to entertain the consumer. And itís built to last.
Shureís SRH440 Professional Studio Headphones
Shure SRH440 Professional Studio Headphones
No one involved with audio is unfamiliar with the Shure name, which is synonymous with higher-end in-ear monitors, microphones, and phono cartridges. So I was interested to see what the companyís could offer in a serious under-$100 headphone. Slotted near the bottom of Shureís headphone lineup, the SRH440 Professional Studio Headphones lists for $125, but has a street price of $99.
The SRH440 sports a simple, conventionalóalmost retroódesign, but despite a bit of visible wiring running from the earpieces to the headband, seems solidly made. Much of the headphone is made of plastic, but itís high-quality plastic that feels sturdy and is pleasant to the touch. The left and right earpieces are clearly labeled with small, blue and red plastic inserts, and a silver Shure logo is visible on each earpiece.
The earpieces are double-hinged, allowing them to fold into the headband for storage or transport. A nice touch is the capability for the earpieces to rotate in their mounts while maintaining contact with your head. The single-sided cable is terminated in a standard 1/8-inch plug, and though itís detachable, the connection to the headphone itself uses a non-standard bayonet mount, which means you wonít be able to easily swap the long (and heavy) coiled cable with a shorter straight cable. On the other hand, the cable is reinforced nicely at each endóthe spots where cables often fail. The cable doesnít include an inline remote or microphone; the included extras are a 1/8-inch-to-1/4-inch plug adaptor and a soft, faux-leather carrying case.
Iíve read complaints claiming that the SRH440 has a tight fit, but my average-size head didnít find that to be an issueófor example, it wasnít tight enough to keep the headphone in place when lying on my back. (My test model was not brand new, so itís possible that the fit has loosened up over time.) Partly because I didnít get a tight fit, noise isolation was only average. The replaceable earpads are nicely padded and covered in faux leather, and they fit comfortably over the ears; the headband, on the other hand, offers very little padding. Still, as long as temperatures are low, the headphone is comfortable for long listening sessionsóas with many headphones of this type, and especially those with ďpleatherĒ earpads, your ears will get warm after a while.
Like the HD 280 Pro, the SRH440 is a great-sounding headphone. Its audio output is flat and accurate with full, solid bass thatís well-defined with absolutely no bleeding into the midrange. The low frequencies are solid down to 20 Hz, without the over-emphasized low-frequency bump that bassheads crave (and, sadly, that many consumers have come to accept as normal). What I really like is the way the SRH440 plays the lower midrange strongly and cleanly but without a hint of bass until real bass is present in the recording, when it comes through appropriately. The midrange is also smooth and even, and highs also are clear and detailed, blending well for a very balanced presentation.
Soundstage is about average, with great left-right placement but not a lot of depthónot a surprise in this price range. One criticism (which for some people might be a strength) is that the overall sound character can seem overly subduedówhereas the HD 280 Pro presents a much more immediate, dynamic impact, the SRH440 is more laid back. Nevertheless, this is a very minor criticism of a very good sounding headphone. Its neutral-but-relaxed character makes it great for long listening sessions.
Overall, the SRH440ís solid construction and cabling mean that it should hold up over time, and its accurate, neutral sound wonít lose its appeal. At this price, itís a steal.
Sonyís MDR-7506 Professional Headphones enjoys almost mythical status among headphone geeks, as itís been on the market since 1991 and has earned a reputation among professionals and amateurs alike as an audio workhorse. (The MDR-7506 is externally similar to Sonyís MDR-V6; at times, itís apparently been internally identical, as well, but that doesnít seem to be the case currently.) The MDR-7506 lists for $130, but commonly sells for under $80.
Befitting its age, the MDR-7506 is a conventionally designed headphone thatís survived long enough to seem retro. The headband is metal, sheathed in what looks and feels like real leather, and lightly padded. Red and blue plastic inserts in the headband make identifying left and right sides easy, and the earpieces are double-hinged to fold nicely into the headband for storage or transport. Small wires are visible running from the earpieces to the headband, as are a few screws fastening the plastic and metal bits together. Beautiful it is not, but it truly looks like what youíd imagine a ďstudio-monitorĒ headphone to be. The long, coiled cable is not removable, nor does it include an inline remote or microphone. Included are a faux-leather carrying pouch and a threaded, 1/8-inch-to-1/4-inch plug adaptor.
The easily replaceable, pleather-covered oval ear pads are soft and comfortable, though as with the Shure model above, your ears will heat up after a while. (Velour earpads, available from third-party vendors, improve the 7506ís comfort dramatically.) The headband pressure is a little on the high side, but that pressure makes for a good seal and good sound isolationóand it does loosen up over time. Since the MDR-7506 is a bit lighter than most headphones of this size, it stays securely on your head without squeezing too much. Heat aside, this is a headphone that can be comfortably worn for long sessions.
The MDR-7506 is a great-sounding headphone. Solid bass extends cleanly to 20 Hz while never creeping into the lower midrange. The midrange itself is clear and natural, and the detailed, crisp highs bring out nuances in your music that you might not have heard before. Soundstage and instrument placement are very good, though better left to right than front to back.
Best of all, there is no ďbutĒóthereís a reason this guy has been around more than twenty years. Itís of course not perfectóthe design is ancient, in summer your ears will quickly sweat if you havenít swapped out the earpads, the soundstage is merely good, and Iíd love to see a replaceable cableóbut the MDR-7506 will shame headphones several times its price. When asked, this is the full-size headphone I recommend most frequently.
While this article began with the premise of reaping the benefits of trickle-down technology, itís remarkable that among the best headphones in the group is one that dates back to 1991. That doesnít completely invalidate the hypothesis, however, as the $25 Monoprice 8323 is a truly astounding bargainóitís difficult to reconcile this kind of quality with such a low price. The Denon and House of Marley headphones, on the other hand, miss the mark, plain and simple.
As for the remaining three, whatís noteworthy is not only how very good each is, but also how similar they are to each other. Each comes in relatively plain packaging, and the design of each is decidedly ďold school studioĒóalmost enough to be retro hip. But what you give up in looks you reap in sound quality, build quality, and comfort. The Shure SRH440 has an unobtrusive, reserved output thatís reminiscent of what was once called the ďNew England SoundĒ of speakers from makers such as KEF, KLH, and Advent. Sennheiserís HD 280 Pro spices things up a little, with a more dramatic soundstage, more kick to the bass, and more sparkle in the highs. It sounds great, but if the audio engineer mixing your music has also kicked up the bass and highs, you may end up with too much of a good thing. Sonyís MDRó7506, in my opinion, gets it right.
But the truth is that when it comes to sound quality, the Shure, Sennheiser, and Sony models are very similar to each otheróand all very, very good. Unless youíre a perfectionist audiophile (and we know who we are), thereís a good chance that $100 really is the sweet spot for full-size headphones. And if even thatís too much for your wallet, the Monoprice 8323 is astonishingly close behind, making it the clear winner in terms of value.
With very little information on the internet about radio accessory’s, it is very rare when we get a chance to re post, with permission, an article from this industry.
Recently, when I was at my younger brother‚Äôs birthday party, my Dad made a reference to having tinnitus (essentially a low-level ringing in the ears) and I told him that I‚Äôd made a joke about tinnitus in a recent article (for those interested, the joke was that it made things sound ‚Äėa bit tinny‚Äô ‚Äď Not one of my better japes, I admit, but whatever…). He looked at me like I‚Äôd just farted in church while I hastily changed the subject.
So, if you are suffering from hearing loss or tinnitus, what can you do about it?
The truth is that hearing problems are largely caused by damage to the inner ear. One way this can happen is due to constant bombardment of noises over 110 decibels. According to new information, the noise wears away the myelin sheath, which is a coating that protects the nerve cells of your inner ear.
The good news is, however, that the myelin sheath will, in most cases, repair itself, so all you need to do is TURN THE VOLUME DOWN or simply leave your iPod at home for a few days and you should start seeing improvements.
Sometimes, however, damage to the inner ear is so great that the body simply will not be able to repair itself. In this case, you will need to train yourself to deal with your newfound disability. It is a process that can case serious depression and anxiety if not adequately confronted and dealt with.
The Beaumont Health System gives some useful tips for dealing with hearing loss on their website. According to them, hearing loss can be combated if you follow these three steps:
1. Be an advocate for yourself. Others cannot guess what you need. By hiding a hearing loss you will miss conversation and may respond inappropriately and cause further miscommunication. Tell others if you are having difficulty understanding. If you don’t understand what someone has said ask him or her to rephrase the message, not just repeat it. Often this will help improve your understanding.
2. Educate others regarding hearing loss. Many do not understand why you can hear that they are talking but cannot understand what you are saying. They also don’t know what they can do to help. Ask others to talk more slowly and clearly and not to obstruct their mouths.
3. Manipulate your environment to your advantage. Hearing clearly when there is background noise is probably the biggest challenge for people with hearing loss. When you can, choose quiet listening environments. In a restaurant, request to be seated in a quiet area away from the door and the kitchen. Partitions and low ceilings may be helpful to reduce noise. Also carpet and upholstery may help to reduce echo, which may help you to understand speech more clearly. Good lighting may also be helpful so that you can see the speaker’s face and gestures.
Another common (and fixable) problem is a build up of earwax. Which is simple enough to solve via regular use of a cotton bud. If that doesn‚Äôt work, it is always possible to get your ears syringed, which is a thoroughly disgusting (but genuinely effective) method for clearing out one‚Äôs lugholes.
Your hearing will also degrade as you age (like most things you hold dear I‚Äôm afraid, up to and including: your metabolism, sexual potency, muscle tone, skin, attractiveness and hair colour). Yup. Sucks getting old.
Finally, if you are facing serious hearing problems, try to minimize any future damage. As it says on WikiHow:
‚ÄúAlthough you can’t reverse the hearing loss you’ve already suffered, you can take steps to keep it from getting worse. Reduce your exposure to loud, sustained noises[. If noisiness like this is part of your job (say you’re a construction worker or employed at a concert venue), consider wearing specialty ear plugs or changing jobs. If you wear earbuds or headphones to listen to music, keep the volume low or moderate. Try to reduce your exposure to high volumes overall, and you’ll reduce future hearing loss‚ÄĚ.
It is also advisable to see a doctor. I am not a doctor. I am a freelance writer with access to Google. If you suspect that anything mentioned in the above article is affecting you, then please make an appointment with your local GP.
Boy. The newest earpiece is awesome. I mean itís just so gorgeous so advanced. I pity individuals who grew up without the radio accessory.
VOIS, Inc. (OTCQB- VOIS), is providing an update on the developments of the Company’s mobile EEG headset. The Company has completed the working prototype and tested the device on several ANDROID models. The tests provided positive results as it relates to communicating with the devices, as well as receiving the EEG signals from the brain. The product is now patent pending, with all necessary filings submitted and recorded at the USPTO.
The next step in the development process is to have the software operating system completed. Also known as the SDK, the software inside the device will be developed with specific uses in mind, such as receiving feedback from the brain while listening to different forms of music or the ability to read concentration levels while playing a specific sport such as golf. The headset technology being developed will be compatible for the mobile market; allowing users to be away from the stationary PC and operate thought controlled applications anywhere they choose.
Prior to manufacturing and launching the product, the Company will implement the design of the device. The final consumer product will be uniquely designed with a stealth-like appearance, so that it is hardly noticed when being worn. Photos of the raw prototype and a concept rendition of the final product can be viewed at http://mindsolutionscorp.com/product-updates . The Company will need to raise sufficient capital to finalize the development of the product prior to launching.
Safe Harbor Statement
This release includes forward-looking statements intended to qualify for the safe harbor from liability established by the Private Securities Litigation Reform Act of 1995. These forward-looking statements generally can be identified by phrases such as the Company or its management “believes,” “expects,” “anticipates,” “foresees,” “forecasts,” “estimates” or other words or phrases of similar import. Similarly, statements herein that describe the Company’s business strategy, outlook, objectives, plans, intentions or goals also are forward-looking statements. All such forward-looking statements are subject to certain risks and uncertainties that could cause actual results to differ materially from those in forward-looking statements. The forward-looking statements included in this release are made only as of the date of this release, and the Company undertakes no obligation to update the forward-looking statements to reflect subsequent events or circumstances.